In January 2016 Tamara Rojo Diez becomes D.A. Magna Cum Laude
Thesis Title: PSYCHOLOGICAL PROFILE OF THE ELITE DANCER – VOCATIONAL CHARACTERISTICS OF THE PROFESSIONAL DANCER.
REY JUAN CARLOS UNIVERSITY: FACULTY OF LEGAL AND SOCIAL SCIENCES – ALICIA ALONSO DANCE INSTITUTE – DEPARTMENT OF SCIENCE EDUCATION, LANGUAGE, CULTURE AND ARTS, LEGAL AND HUMANISTIC SCIENCES HISTORY AND MODERN LANGUAGES.
In Being a Dancer, some of the world’s leading dancers and choreographers, working in different countries and across different styles, share their experiences of the world of dance. In these extracts from the book, Tamara Rojo, Artistic Director of English National Ballet, offers advice and insight into her life and career.
English National Ballet Swan Lake at the Liceu Tamara Rojo & Isaac Hernandez
ENB’s Swan Lake at the Liceu (Tamara Rojo & Isaac Hernandez) Els cignes no són animals febles, són animals forts, com Odile. Compartim els 32 fouettés de Tamara Rojo a ‘El llac dels cignes’ de l’English National Ballet al Liceu.Los cisnes no son animales débiles, son animales fuertes, como Odile. Compartimos los 32 fouettés de Tamara Rojo en ‘El lago de los cisnes’ del English National Ballet en el Liceu.Swans are strong animals, like Odile. Here you’re the 32 fouettés by Tamara Rojo in English National Ballet’s Swan Lake at the Liceu Opera House.
Posted by Gran Teatre del Liceu on Sábado, 19 de septiembre de 2015
Tamara Rojo, Lead Principle and Artistic Director, English National Ballet speech at the opening of SHOES: PLEASURE AND PAIN.
3 June 2015 – 31 January 2016. This exhibition will look at the extremes of footwear from around the globe, presenting around 200 pairs of shoes ranging from a sandal decorated in pure gold leaf originating from ancient Egypt to the most elaborate designs by contemporary makers.
Southbank Sky Arts Awards 2015 – Tamara Rojo winning speech
“This is a great honour and I’m deeply humbled by it. It is important to say that it is not an award for one individual, or even one team. It has been won by the whole company and I would like to pay tribute to and thank :~
CHOREOGRAPHERS: Akram Khan, Russell Maliphant, Liam Scarlett, George Williamson.
All our COLLABORATORS: Designers, particularly Bob Ringwood, Lighting designers, Composers and Costume makers.
The ORCHESTRA and MUSIC DIRECTOR, GAVIN SUTHERLAND, who is always up for everything and loves dance even more than me.
Our TECHNICAL TEAM, David Baxter, David Richardson and specially our technical director Al Riches, who always tells me all is ok even when I am seeing with my own eyes that it is falling apart, but somehow it is always alright in the end!
My DANCERS AND ARTISTIC TEAM, who embrace every challenge and deliver above all expectations.
TO ALL THE UNSUNG HEROES BEHIND THE SCENES, my Executive Director Caroline Thomson, producers, accountants, HR, development, marketing, costumes, hair and make-up outreach and education … You keep things going so we can all dream.
JUSTIN BICKLE, our Chairman, you are the embodiment of the definition of a philanthropist; A person that seeks the welfare of human kind. He who loves the arts. We could not be here without you and your amazing board.
And to the audience who follow us. We will be performing Lest We Forget from September, in London and around the country, so don’t miss it!
Modern Masters honours the work of three of the most influential and creative choreographers of the 20th Century, and brings two new works to English National Ballet’s repertoire.
Created in 1991, Ji?í Kylián’s poetic piece, features six men, six women, and six fencing foils, symbolising energy, silence and sexuality. Performed to the slow movements of two Mozart Piano Concerti, the foils slowly become dancing partners, as the brutality of everyday life is revealed. Petite Mort is a quintessential Kylián masterwork, loved by our audience and our dancers when we performed it last year.
SPRING AND FALL
In the same year that Petite Mort was premiered, Hamburg Ballet’s John Neumeier, a new master of narrative and dramatic ballet, created Spring and Fall. Set to the Dvo?ák’s Serenade for Strings in E Major, it is a work for two couples and corps de ballet and takes its narrative from the tension in the music. Spring and Fall is not in the repertoire of any other UK company.
IN THE MIDDLE, SOMEWHAT ELEVATED
With In the Middle, Somewhat Elevated, William Forsythe started a completely new school of choreography, deconstructing classical ballet and liberating a new generation of classical dancers to show off their abilities. Set against a bare stage it is danced by nine individuals culminating in a fierce display of technical and physical wizardry.